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Ebook The Music of Life: Bartolomeo Cristofori & the Invention of the Piano, by Elizabeth Rusch

Ebook The Music of Life: Bartolomeo Cristofori & the Invention of the Piano, by Elizabeth Rusch

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The Music of Life: Bartolomeo Cristofori & the Invention of the Piano, by Elizabeth Rusch

The Music of Life: Bartolomeo Cristofori & the Invention of the Piano, by Elizabeth Rusch


The Music of Life: Bartolomeo Cristofori & the Invention of the Piano, by Elizabeth Rusch


Ebook The Music of Life: Bartolomeo Cristofori & the Invention of the Piano, by Elizabeth Rusch

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The Music of Life: Bartolomeo Cristofori & the Invention of the Piano, by Elizabeth Rusch

From School Library Journal

K-Gr 3—A well-researched, fascinating account of the father of modern-day pianos. Bartolomeo Cristofori was a talented 17th-century inventor born in Padua, Italy, who loved the light and powerful sounds of the clavichord and the harpsichord. He longed to create an instrument that married both of these kinds of notes. With the patronage of Prince Ferdinando de' Medici, Cristofori was able to spend the rest of his life tinkering away in his quest for what would eventually become the pianoforte. Rusch's energetic text is paired well with Priceman's vibrant images, rendered in gouache and ink with bold strokes. Each spread is introduced by a musical term, defined in parentheses, that not only sets up the narrative that will be showcased on those pages but also introduces readers to piano-playing techniques (e.g., forte, pianissimo, crescendo). The curly and bold font used for these headings adds to the dynamic layout of each page and illustrates the lively music that the piano inspires. Quotations from and about Cristofori are peppered throughout. In addition to a detailed time line and source notes, the thorough back matter includes author's notes on the few updates that have been made since Cristofori's pianos, where children can find his remaining instruments, a list of classical and modern music pieces that make great use of the piano, and how Rusch was able to reconstruct the inventor's life from primary and secondary sources. VERDICT A strong purchase for music lovers, budding pianists, and large biography and STEAM collections.—Shelley M. Diaz, School Library Journal

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Review

"A spirited, informative tale that will resonate with musicaficionados young and old." -- PublishersWeekly, starred review "Delightfully energetic, this will inspire young pianists." -- Kirkus, starred review Priceman's watercolors are zesty evocations of soundunleashed...Rusch supplies an amazing treasure trove of back matter thatextends the title's interest beyond an expected picture-book audience." -- BCCB, starredreview "Rusch's latest offering brings the [piano's] historymerrily to the center stage...Fast-paced, lively, and informative, this book willappeal to music lovers as well as a wider audience."-- Booklist

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Product details

Age Range: 4 - 8 years

Grade Level: Preschool - 3

Lexile Measure: 980L (What's this?)

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Hardcover: 48 pages

Publisher: Atheneum Books for Young Readers (April 18, 2017)

Language: English

ISBN-10: 1481444840

ISBN-13: 978-1481444842

Product Dimensions:

9 x 0.5 x 12 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

8 customer reviews

Amazon Best Sellers Rank:

#274,022 in Books (See Top 100 in Books)

I gave my 6-year-old daughter, who has been taking piano lessons for almost 2 years, this book as a part of Christmas gifts. I had a high expectation before the book arrived since I read the great reviews on this book. It arrived with a very tiny dent on one corner of the book, but that didn't bother me enough to return it.The day after Christmas, my daughter and I read it together, and I was so thrilled to find out that this book was actually beyond my expectation! The size of the book is bigger than I thought and it's already fun just to look at the beautiful pictures, but the wording, the story, and everything about this book was so perfect that we both were quickly drawn into it!My daughter had already been in love with the piano and practicing hard everyday, however, after we read this book, I feel that she respects and appreciates the instrument even more.I would recommend this book to everyone (any age, probably from 5 to adult).If you or your child play the piano, you will definitely love it!!

Well-written story about Cristofori and the beginnings of the forte-piano, precursor to the piano. Beautiful watercolor illustrations! Great background for older children and adults of the research and discoveries of the author in creating the book!

This book had lots of interesting details and history woven into the storyline, making it a great book for your elementary piano students.

Thorough, interesting, and fun!

My Study on Picture Books

We are not a very musical family so I had never heard of Bartolomeo Cristofori before and frankly I never even thought to wonder about where a piano got its name. I do however, love children’s picture books especially picture book biographies so I checked this out of the library. This book absolutely floored me. I loved it and so did my daughter!I do not think I have ever read such a well-researched, children’s picture book. Rusch includes in the end pages a break down of the book page-by-page and what primary and occasionally secondary resources she used. On almost every page, she also includes in a smaller font a quote from a primary source. Rusch made learning the difference between a primary and a secondary source so accessible to my 8-year-old. We discussed why something was a primary source each time we read the quotes. After finishing the book, I found a worksheet on the internet about primary and secondary sources and my daughter aced it! Great learning there!When I started the book, I thought this was going to be more of a biography of an artist and craftsman but really this is a book about a scientist, creativity, and the scientific method. Cristofori had a question; could he make a keyboard instrument capable of making soft sounds (piano sounds like a clavichord) and loud sounds (forte sounds like a harpsichord). He then began thinking of different ways he could accomplish this and experimenting with different materials. That is science at its best!We also went to the internet to listen to music from a clavichord, a harpsichord, and a replica of Cristofori’s pianoforte. Fun, but great learning too as my daughter and I came up with a list of comparisons and contrasts of these instruments ranging from the way they look to the way they sound.Throughout the book, Rusch uses dynamic musical notations to annotate the action - pianissimo, crescendo, forte, fortissimo, decrescendo, mezzo piano, mezzo forte, morendo, dal niente, molto crescendo. Wow! A non-musician like me even learned a lot!Finally, I would be remiss if I did not mention the amazing illustrations. The book is as beautiful as it is informative. Marjorie Priceman did an outstanding job of bringing pianissimo and fortissimo and everything in between to life!This book has an age range listed from 4-8 years old but I completely disagree. I think even older elementary school kids would enjoy this and learn a lot. In fact, the ATOS reading level is 5.9 suggesting the level of a 5th grader at the end of the year. That said, I think the younger set will love this as well. This book has something for nearly everyone, the budding scientist, budding musician, budding artist, and budding journalist. It is enough to make a parent’s heart sing!

Life lives on through music as Elizabeth Rusch inspires those new to music, professional musicians and we who appreciate the sustaining power of music with this "Life". Liz's symbolic use of composers' terms for volume for performance symbolize, too, the curiosity about the "the sound" of the pianoforte. When the musicians can't imagine the possibilities of new sound, the illustration (all so good) of the cat playing the piano says a lot. A a frequent visitor to Florence and student of the Medici, I can smell and hear the streets of the city as well as hear the sounds. The bibliography and research of original sources, chronological notes are most admirable. Everyone will enjoy this great contribution to music and to life.

I cannot find any positive perspective through the book.

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